lsanderson: (Default)
[personal profile] lsanderson
The Son of the Anime Master Begins His Quest for Honor
By CHARLES SOLOMON

KOGANEI, Japan

FOR Goro Miyazaki the summer ended on a bittersweet note. This 39-year-old filmmaker had the pleasure of seeing his first movie, the animated feature “Gedo Senki,” or “Tales From Earthsea,” blossom into the biggest hit of the summer in Japan, as it rose to the top spot and took in more than 7.3 billion yen (about $61.4 million) by the end of September.

But even his success brought inevitable reminders that he is, after all, the other Miyazaki. His Oscar-winning father, Hayao, regarded by many critics as the greatest director working in animation today, has earned much more with his own hits. Ursula K. Le Guin, author of the popular “Earthsea” novels, on which the new film was based, went out of her way to make the distinction on her Web site, calling the father “a genius of the same caliber as Kurosawa or Fellini.” She went on to complain about the liberties Goro and his new film took with her work.

“Of course a movie shouldn’t try to follow a novel exactly — they’re different arts, very different forms of narrative,” she wrote. “There may have to be massive changes. But it is reasonable to expect some fidelity to the characters and general story in a film named for and said to be based on books that have been in print for 40 years.”

So the younger Mr. Miyazaki can be forgiven a bit of weariness. “Sometimes I wish hadn’t entered the same profession as my father,” he said, speaking through an interpreter during an interview at Studio Ghibli, headquarters of the Hayao Miyazaki and the director Isao Takahata, in this suburb of Tokyo. “I realized for the first time how difficult it is to be the son of Hayao Miyazaki. If I weren’t involved in animated filmmaking, I would just have a simple, quiet, normal life.” More

Good Old Yuck LeGuin

Date: 2006-10-15 03:31 pm (UTC)
From: [identity profile] shelleybear.livejournal.com
No mention of the abomination the Science Fiction channel made of the first book.
They probably paid her a lot more money.
Or, she became more full of herself then usual.

Re: Good Old Yuck LeGuin

Date: 2006-10-15 03:52 pm (UTC)
From: [identity profile] jbru.livejournal.com
She's discussed the SciFi miniseries on her website before and explained the process in which she was told she'd have input on the script but was only given the final version. For all her talent, she doesn't have the current star power to demand the kind of creative control Rowling had over the Harry Potter films.

Re: Good Old Yuck LeGuin

Date: 2006-10-15 04:10 pm (UTC)
From: [identity profile] james-nicoll.livejournal.com
Comparing this to this, her comments on the Japanese version are far less negative than the comments on the US version.

Re: Good Old Yuck LeGuin

Date: 2006-10-15 04:44 pm (UTC)
From: [identity profile] lsanderson.livejournal.com
Read the article... the SF channel owns rights to thw works here... Her comments on the SF channel's version have been covered elsewhere.

Re: Good Old Yuck LeGuin

Date: 2006-10-15 04:45 pm (UTC)
From: [identity profile] lsanderson.livejournal.com
Ms. Le Guin offered a balanced response, saying: “I thought the moral lectures in the film were spoken eloquently. In fact they were often quoted pretty directly from the books. But I didn’t see how the action of the film justified them. They felt pasted on to me. I did not understand why Arren stabs his father, nor how and why he earned redemption.”

She added: “I very much liked the scenes of plowing, drawing water, stabling the animals and so on, which give the film an earthy and practical calmness, a wise change of pace from constant conflict and action. In them, at least, I recognized my Earthsea.”

And Ms. Le Guin said, “I get roundly scolded on my Web site by younger Japanese people for not understanding the movie. These people don’t know the books, so they’re not confused, as I was.”

Date: 2006-10-15 05:32 pm (UTC)
From: [identity profile] bohemiancoast.livejournal.com
She has a touching faith that Hayao Miyazaki would have left her story intact. What she said about the film is almost exactly what Diana Wynne Jones said about Howl's Moving Castle; it's a good film, but it's not my book. The liberties Miyazaki senior took with that book were pretty extreme; it bears little resemblance to the original tale.

Date: 2006-10-15 07:53 pm (UTC)
From: [identity profile] danae.livejournal.com
I agree, I bet that Hayao would have probably made the same changes as his son did and well if Hayao Miyazaki did it then it's okay but anyone else, no it's not

Profile

lsanderson: (Default)
lsanderson

February 2026

S M T W T F S
1 2 3 4 567
891011121314
15161718192021
22232425262728

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Feb. 6th, 2026 05:19 am
Powered by Dreamwidth Studios