D'oh! Running late ...

A book has to really impress me to get a reaction before I've finished it, but Ada Palmer's Inventing the Renaissance has definitely done that. I had read some of Palmer's science fiction and been very impressed by it, and I knew before reading this that she is a historian, so when I first heard of this book, I immediately requested it from my local library.[^1] Not really knowing anything about it when I requested it, I thought it was a history of how the Renaissance came to be. Then I started reading it, and from the way she talked about historians creating the idea of the Renaissance, I thought it was a Renaissance equivalent of Norman Cantor's Inventing the Middle Ages.[^2]. Then I read on and saw that it's both of those things and more. It's also Palmer's academic biography, and an explanation of how academia works, and an exploration of the processes that created the Renaissance (and that created similar shifts in society at other times and places. It's the best history book I've read recently.[^3]

Besides the major historical themes of the book, Palmer has also included a number of interesting trivia and also Easter eggs for science fiction fans: - The genetic changes in Europeans that makes the Black Death no longer the huge plague that it was in the Middles Ages took several hundred years to come about, and also caused Europeans to be more susceptible to "autoimmune disorders like rheumatoid arthritis, celiac, and (in [Palmer's] case) Crohn's disease."[^4] - She refers to Florence in the Renaissance as a "wretched hive of scum and villainy."[^5] - She uses the board game Siena as an illustration of how government worked in Renaissance Florence.[^6]

I particularly love this paragraph about the chronology of the Renaissance, and how it's exceedingly different depending on who you ask:

All agree that the Renaissance was the period of change that got us from medieval to modern, but people give it a different start date, because they start at the point that they see something definitively un-medieval. If we leave the History Lab a moment and visit my friends across the yard in the English Department, they consider Shakespeare (1564-1616) the core of Renaissance, while Petrarch's contemporary Chaucer (1340s-1400) is, for them, the pinnacle of medieval. When I cross the walk to visit the Italian lit scholars, they say Dante (1265-1321), despite being dead before Chaucer's birth, is definitely Renaissance, and often that Machiavelli is the start of modern, even though he died before Shakespeare's parents were born.

Reading this book makes me both sad and glad, in varying degrees at different times, that I never got my PhD and entered academia, depending on whether I feel at that particular moment that by having done so I would have been placing myself in cooperation or competition with Palmer. But leaving that aside, I'm exceedingly glad to be living in a time that I get to read this book, and I'm eagerly looking forward to getting to read more of Palmer's books.

[^1] Apparently a lot of other people had also heard of it, because I only got it about a week ago.

[^2] Although much more fun to read than Cantor.

[^3] I almost said "easily the best history book I've read recently," but I'm also currently reading Geoffrey Parker's Global Crisis: War, Climate Change & Catastrophe in the Seventeenth Century, which gives Palmer some serious competition. But since I feel compelled to write a pre-completion reaction to Palmer's book and not to Parker's. . .

[^4] p. 116. All the MAGAts who keep yammering on about herd immunity with regard to COVID need to know that, but they probably wouldn't listen anyway.

[^5] p. 136.

[^6] pp. 65-8.