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Sometimes Blood Really Isn't Indelible
By MANOHLA DARGIS

"When the Korean director Park Chan-wook walked away with the second-most prestigious prize at the Cannes Film Festival last year, it did more than raise a few eyebrows and critical hackles. It signaled that this wasn't your father's hoity-toity snooze-fest; this was the new, improved Cannes, baby - fast and furious and genre-friendly. Mr. Park's award-winning "Oldboy," a blood-splattered revenge movie that features death by hammer and other such tasty sport, might have been an exploitation flick, but it was an arty exploitation flick."

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