
María Onetto in “The Headless Woman.”
What It Hurts to Remember Becomes Convenient to Forget
By STEPHEN HOLDEN
Published: August 19, 2009
A full appreciation of Lucrecia Martel’s elegant, rain-soaked film, “The Headless Woman,” requires the concentration and eye for detail of a forensic detective. Every frame of this brilliant, maddeningly enigmatic puzzle of a movie contains crucial information, much of it glimpsed on the periphery and sometimes passing so quickly you barely have time to blink. More
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Date: 2009-08-21 11:30 am (UTC)Si!
Date: 2009-08-21 12:32 pm (UTC)