The Headless Woman (2007) NYT Critics' Pick

[lsanderson]

María Onetto in “The Headless Woman.”
What It Hurts to Remember Becomes Convenient to Forget
By STEPHEN HOLDEN
Published: August 19, 2009

A full appreciation of Lucrecia Martel’s elegant, rain-soaked film, “The Headless Woman,” requires the concentration and eye for detail of a forensic detective. Every frame of this brilliant, maddeningly enigmatic puzzle of a movie contains crucial information, much of it glimpsed on the periphery and sometimes passing so quickly you barely have time to blink. More