NYT Critics’ Pick Movies

Review: ‘No Home Movie,’ of Love and Melancholy
NO HOME MOVIE
NYT Critics’ Pick
By MANOHLA DARGIS

Review: ‘The Dark Horse’ Dramatizes the Tale of a Chess Coach
THE DARK HORSE
NYT Critics’ Pick
By STEPHEN HOLDEN

Review: In ‘Kill Your Friends,’ Corporate Climbing Can Prove Deadly
KILL YOUR FRIENDS
NYT Critics’ Pick
By ANDY WEBSTER

Review: ‘Standing Tall,’ a Boy’s Encounter With the Law
STANDING TALL
NYT Critics’ Pick
By STEPHEN HOLDEN

Review: In ‘Afternoon,’ Two Men Open Up
AFTERNOON
NYT Critics’ Pick
By GLENN KENNY

Review: ‘Catching the Sun’ Profiles Solar Energy Entrepreneurs and Activists
CATCHING THE SUN
NYT Critics’ Pick
By ANDY WEBSTER

Review: In ‘Too Late,’ Imitation Is Sincere Flattery
TOO LATE
NYT Critics’ Pick
By KEN JAWOROWSKI

Review: ‘Miles Ahead,’ an Impressionistic Take on Miles Davis
MILES AHEAD
NYT Critics’ Pick
By MANOHLA DARGIS

Review: In ‘Everybody Wants Some!!,’ Casual Sex and Casual Philosophizing
EVERYBODY WANTS SOME!!
NYT Critics’ Pick
By A. O. SCOTT

Unknown Guy on the Phone

Demanding to know who I am when you place the call really is not a good strategy. Calling back when I hang up? Not good either.