Review: In ‘My Golden Days,’ Aching for a Love Left Behind
MY GOLDEN DAYS
NYT Critics’ Pick
By MANOHLA DARGIS
Review: ‘Krisha,’ a Family Drama Set Around Thanksgiving
KRISHA
NYT Critics’ Pick
By MANOHLA DARGIS
Review: ‘Everything Is Copy,’ a Son’s Tribute to Nora Ephron
EVERYTHING IS COPY
NYT Critics’ Pick
By JEANNETTE CATSOULIS
Review: In ‘The Confirmation,’ a Troubled Father and Tender Son Bond
THE CONFIRMATION
NYT Critics’ Pick
By ANDY WEBSTER
Review: In ‘Sweet Bean,’ a Delicacy Unites a Vendor and an Old Woman
SWEET BEAN
NYT Critics’ Pick
By GLENN KENNY
Review: ‘Fireworks Wednesday,’ a Domestic Drama From Iran
FIREWORKS WEDNESDAY
NYT Critics’ Pick
By STEPHEN HOLDEN
-- Of Possible Interest --
Review: ‘Take Me to the River’ Immerses a Teenager in Scandal at a Family Reunion
TAKE ME TO THE RIVER
By NICOLAS RAPOLD
Review: For ‘Pee-wee’s Big Holiday,’ Walk Gingerly and Wear a Red Bow Tie
By NEIL GENZLINGER
Review: In ‘Midnight Special,’ on the Run With a Highly Unusual Child
MIDNIGHT SPECIAL
By A. O. SCOTT
Review: ‘Allegiant’ Diverges as the End Nears
ALLEGIANT
By JEANNETTE CATSOULIS
MY GOLDEN DAYS
NYT Critics’ Pick
By MANOHLA DARGIS
Review: ‘Krisha,’ a Family Drama Set Around Thanksgiving
KRISHA
NYT Critics’ Pick
By MANOHLA DARGIS
Review: ‘Everything Is Copy,’ a Son’s Tribute to Nora Ephron
EVERYTHING IS COPY
NYT Critics’ Pick
By JEANNETTE CATSOULIS
Review: In ‘The Confirmation,’ a Troubled Father and Tender Son Bond
THE CONFIRMATION
NYT Critics’ Pick
By ANDY WEBSTER
Review: In ‘Sweet Bean,’ a Delicacy Unites a Vendor and an Old Woman
SWEET BEAN
NYT Critics’ Pick
By GLENN KENNY
Review: ‘Fireworks Wednesday,’ a Domestic Drama From Iran
FIREWORKS WEDNESDAY
NYT Critics’ Pick
By STEPHEN HOLDEN
-- Of Possible Interest --
Review: ‘Take Me to the River’ Immerses a Teenager in Scandal at a Family Reunion
TAKE ME TO THE RIVER
By NICOLAS RAPOLD
Review: For ‘Pee-wee’s Big Holiday,’ Walk Gingerly and Wear a Red Bow Tie
By NEIL GENZLINGER
Review: In ‘Midnight Special,’ on the Run With a Highly Unusual Child
MIDNIGHT SPECIAL
By A. O. SCOTT
Review: ‘Allegiant’ Diverges as the End Nears
ALLEGIANT
By JEANNETTE CATSOULIS