Review: ‘Steve Jobs,’ Apple’s Visionary C.E.O. Dissected
Steve Jobs
NYT Critics’ Pick
By A. O. SCOTT
Review: ‘Victoria,’ a Nonstop Flight Through the Streets of Berlin
Victoria
NYT Critics’ Pick
By STEPHEN HOLDEN
Review: ‘The Final Girls’ Looks Over Its Shoulder at Horror Tropes
The Final Girls
NYT Critics’ Pick
By NEIL GENZLINGER
Keanu Reeves, as a Cheating Husband, Endures a Comeuppance in ‘Knock Knock’
Knock Knock
NYT Critics’ Pick
By GLENN KENNY
Review: ‘In My Father’s House,’ a Rapper Reconnects With Dad
In My Father's House
NYT Critics’ Pick
By JEANNETTE CATSOULIS
-- Of Possible Interest --
Review: In Takashi Miike’s ‘Yakuza Apocalypse,’ Blood and Fur Flies
Yakuza Apocalypse
By NICOLAS RAPOLD
Steve Jobs
NYT Critics’ Pick
By A. O. SCOTT
Review: ‘Victoria,’ a Nonstop Flight Through the Streets of Berlin
Victoria
NYT Critics’ Pick
By STEPHEN HOLDEN
Review: ‘The Final Girls’ Looks Over Its Shoulder at Horror Tropes
The Final Girls
NYT Critics’ Pick
By NEIL GENZLINGER
Keanu Reeves, as a Cheating Husband, Endures a Comeuppance in ‘Knock Knock’
Knock Knock
NYT Critics’ Pick
By GLENN KENNY
Review: ‘In My Father’s House,’ a Rapper Reconnects With Dad
In My Father's House
NYT Critics’ Pick
By JEANNETTE CATSOULIS
-- Of Possible Interest --
Review: In Takashi Miike’s ‘Yakuza Apocalypse,’ Blood and Fur Flies
Yakuza Apocalypse
By NICOLAS RAPOLD