Review: ‘Meru’ Follows an Expedition Up Shark’s Fin Peak in the Himalayas
Meru
NYT Critics’ Pick
By JEANNETTE CATSOULIS
Review: ‘Mistress America,’ a Noam Baumbach Comedy on Getting By in a Backbiting World
Mistress America
NYT Critics’ Pick
By STEPHEN HOLDEN
Review: ‘We Come as Friends’ Explores Potential Exploitation of South Sudan
We Come as Friends
NYT Critics’ Pick
By BEN KENIGSBERG
Review: ‘Ten Thousand Saints,’ a Coming of Age in the East Village, Circa 1980s
Ten Thousand Saints
NYT Critics’ Pick
By NEIL GENZLINGER
Review: ‘Fort Tilden,’ a Comic Odyssey to the Beach
Fort Tilden
NYT Critics’ Pick
By ANDY WEBSTER
Review: In ‘The Great Man,’ Friendship and Politics in a War Zone
The Great Man
NYT Critics’ Pick
By MANOHLA DARGIS
Review: In ‘Tom at the Farm,’ Psychosexual Games Down at the Farm
Tom at the Farm
NYT Critics’ Pick
By STEPHEN HOLDEN
Review: ‘Rosenwald,’ on a Philanthropist Who Created Schools for Blacks in the Jim Crow South
Rosenwald
NYT Critics’ Pick
By DANIEL M. GOLD
Meru
NYT Critics’ Pick
By JEANNETTE CATSOULIS
Review: ‘Mistress America,’ a Noam Baumbach Comedy on Getting By in a Backbiting World
Mistress America
NYT Critics’ Pick
By STEPHEN HOLDEN
Review: ‘We Come as Friends’ Explores Potential Exploitation of South Sudan
We Come as Friends
NYT Critics’ Pick
By BEN KENIGSBERG
Review: ‘Ten Thousand Saints,’ a Coming of Age in the East Village, Circa 1980s
Ten Thousand Saints
NYT Critics’ Pick
By NEIL GENZLINGER
Review: ‘Fort Tilden,’ a Comic Odyssey to the Beach
Fort Tilden
NYT Critics’ Pick
By ANDY WEBSTER
Review: In ‘The Great Man,’ Friendship and Politics in a War Zone
The Great Man
NYT Critics’ Pick
By MANOHLA DARGIS
Review: In ‘Tom at the Farm,’ Psychosexual Games Down at the Farm
Tom at the Farm
NYT Critics’ Pick
By STEPHEN HOLDEN
Review: ‘Rosenwald,’ on a Philanthropist Who Created Schools for Blacks in the Jim Crow South
Rosenwald
NYT Critics’ Pick
By DANIEL M. GOLD